scott davis

MCCARTER THEATER/ARENA STAGE

Dir: Sarah Rasmussen

Director: Curt Wollen

Lighting: Lee Fiskness

Costumes: Linda Roethke

Milwaukee Repertory Theater

Dir-Mark Clements

Lighting- Jason Fassl

Costumes- Meika Van Der Ploeg

Childrens Theater Company

Produced by Kevin McCollum and FOX Stage Productions

Directed by Rachel Rockwell

Lighting: Philip Rosenberg

Costumes: Mara Blumenfeld

Projections: Mike Tutaj

Off-Broadway MCC Lucille Lortel Theatre

Alliance Theatre

Chicago Shakespeare Theatre

5th AVE/ACT

Directed by Rachel Rockwell

Additional Direction Leora Morris

"This show, developed from a cabaret originally produced in Canada, takes place in a ghostly carnivalesque netherworld, designed with ghoulish atmosphere by Scott Davis. The remnants of a rickety wooden roller coaster wrap around a small, antique proscenium. While riding that creaky coaster, six teenagers — all members of a school choir — met their gruesome ends when their car leapt the tracks." - Charles Isherwood

Lighting: Greg Hofmann

Costumes: Theresa Ham

Projections: Mike Tutaj

Chicago Shakespeare Theatre

Directed by Brian Hill

Lighting: Lee Fiskness

Costumes: Theresa Ham

Projections: Mike Tutaj

Chicago Shakespeare Theatre

Directed by Gary Griffin

Lighting: Philip Rosenberg

Costumes: Mara Blumenfeld

Writers Theatre

Directed by Gary Griffin

Lighting: Lee Fiskness

Costumes: Mara Blumenfeld

Court Theatre

Directed by Charlie Newell

Lighting: Paul Toben

Costumes: Jacqueline Firkins

Directed by Rachel Rockwell

Projection Content by Freckled Sky

Projections: Shawn Sagady

Costumes: Theresa Ham

Lighting: Greg Hofmann

Paramount Theater

Directed by Katie Spelman

“The Paramount has, of course, a huge stage and Spelman and her designer, Scott Davis, hit on the inspired idea of making the Kit Kat Klub a basement operation, allowing for a huge descending staircase into the depth of its depravity, meaning that characters with a conscience, or a doubt, can stand thereupon, half in, half out, partaking just the same but with an eye on the door. And you also get a glimpse of the street, where the stones fly and glass breaks." ... "Most productions of this show try to work within one palette: these designers are explicitly working with collision. That's why this is such a great "Cabaret": it makes sense of the show's organizing principle of overgrown children playing with decadence while the consequences of the apolitical life play out above them, finally oozing down into their playpen.” - Chris Jones

Lighting: Yael Lubetzky

Costumes: Meika Van Der Ploeg

Chicago Shakespeare Theatre

Directed by Gary Griffin

Lighting: Christine Binder

Costumes: Mara Blumenfeld

Chicago Shakespeare Theatre

Asolo Repertory Theatre

Directed by Rachel Rockwell

Lighting: Robert Weirzel

Costumes: Susan E Mickey

Chicago Shakespeare Theatre

Directed by Barbara Gaines

Lighting: Aaron Spivey and Anthony Pearson

Costumes: Susan E Mickey

Milwaukee Repertory Theatre

Directed by Mark Clements

Lighting: Jason Fassl

Costumes: Meika Van Der Ploeg

Projections: Mike Tutaj

Court Theatre

Directed by Marti Lyons

Lighting: Lee Fiskness

Costumes: Samantha Jones

Chicago Shakespeare Theatre

Directed by Barbara Gains

Lighting: Don Holder

Costumes: Mariann Verheyen

Asolo Repertory Theater

Directed by David Bell

Lighting: Jesse Klug

Costumes: Ana Kuzmanic

Projection: Aaron Rhyne

Milwaukee Repertory Theatre

Directed by Brent Hazelton

Lighting: Jayme Lee Smith

Costume: Rachel Laritz

Court Theatre

Directed by Charlie Newell

Lighting: John Culbert

Costumes: Jacqueline Firkins

Paramount Theatre

Directed by Jim Corti

“Davis's set for the show is truly a stunner — the design uses silhouettes of the requisite farm buildings and re-creates the contours of the Plains, emphasizing young American's fragility against the undulating earth. But some productions of this Rodgers and Hammerstein masterpiece, especially ones that emphasize its current of sexual unease, end up being dark and heavy. Not so here. There is a light sun rising and stars in the heavens... " - Chris Jones

Lighting: Greg Hofmann

Costumes: Theresa Ham

Writers Theatre

Directed by Gary Griffin

Lighting: Christine Binder

Costumes: Mara Blumenfeld

Milwaukee Repertory Theatre

Directed by Kevin Ramsey

Signature Theatre

Chicago Shakespeare Theatre

Directed by Gary Griffin

Windy City Playhouse

Directed by David Bell

“The largest and biggest looming character of the whole affair is the house itself courtesy of Scott Davis’ scenic design and Eleanor Kahn’s props. The outside of a two-story home, its first floor and small backyard patio have been created with meticulous attention to detail. Kitchen cupboards contain period-appropriate Welch’s jelly jar glasses, dinnerware and packaged foods. A closet contains vintage coats and suitcases. All rooms are tastefully decorated with period-appropriate furniture, too. Window seats are placed along side many walls, so scenes can be watched from those perches or even through the home’s many glass-less windows. The audience is limited to only 28 patrons, and from the onset, as Ellie and Beau go about their final party preparations, you’re encouraged to explore the home.” - Misha Davenport

Shakespeare’s Globe Theatre

Off-Broadway at the Westside Theatre

Chicago Shakespeare Theatre

International Tour

Directed by the Q Brothers

Chicago Shakespeare Theatre

Directed by David Bell

Directed by Jerry Whiddon